Production music refers to music which is owned by production music libraries.

Typically the music is composed specifically for use in Film, TV, Radio, multimedia plus Business.

Since these libraries generally own all of the rights in the music they can licence it straight without the requirement to gain permission from composers or even writers. It can as a result be licensed immediately with a transparent price to the end user.

The good thing about a production music library would be that it can cater to a broad range of musical styles as well as themes with a lot of libraries holding ten of a huge number of tracks and cuts.

Production music gives producers and directors a platform from which to choose audio that is suitable for their brief or project. Libraries often have tracks relevant to current musical genres, culture, charts and styles. Many libraries will hold music across the whole spectrum of music history as well as include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary themes or collections created for business or media applications.

The convenience factor means that anyone who needs production library music is able to pick from a huge selection of styles, access the audio from one spot and find out just how much it will cost. Most libraries have Rate Cards so producers can budget for the expenses of a project in advance.

Their is the peace of mind that lots of libraries will frequently have a piece of music suitable for the job and if not will enable you to to find some. Most will even offer custom music production services.

History of Production Music

Typical music for production has been around since the days of silent cinema. In those days the audio was supplied in form that is written and sent over to small orchestras and bands who’d carry out the sound live in time with the film.

Since then many production music companies have gathered sound and audio libraries. soundcloud to mp3 include Boozy & Hawkes, KPM, Sony BMG, EMI, Extreme Music, Sonoton, Cavendish, Many others and de Wolfe.

Traditionally, music libraries sent out their music collections on CD. These days it’s more prone to be seen via the internet, file-downloading, hard drive or even CD’s, CD-Rom, DVD-Rom

Production Music Online

The Internet has enabled music for production to be distributed online via downloading. It’s also provided a platform for organizations which are new and libraries to set up independently.

There are now a lot of production music libraries online. The fee and quality is able to vary enormously as can the actual license terms or use of the music. However production music downloads today appear to be the preferred method for many media professionals around the planet.

Royalty Free Music

Royalty free music varies more or less to the attributes of production music.

Production music has often been licensed on a pay-per-use basis. That’s you pay for every single use of the music – If you wish to make use of music on a television show then you license the rights for that. If you need to additionally use that music on an interactive CD-Rom then you would want to license those rights.

Royalty free music on the flip side offers customers a way of purchasing a CD of the music which could then be used as often times as you like without any further payments or fees.

However the Internet along with other issues has meant that a great many royalty free music libraries now operate much more like traditional production music libraries and vice versa.

This is most likely due to the growth of independent music libraries who can develop their own finance and license models according to their very own marketplace requirements.

Sync Fees and Dub Fees

A fee for the licensing of their music is charged by a Production music company. This is usually referred to a’ Synchronization Fee’ or’ Dub Fee’. This is among the main income streams for music libraries.

Performing Rights Organisations

Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, artists and publishers.

Performance royalties are generated when music is broadcast on TV or Radio or even played in places which are public like restaurants as well as other business spaces.

Music that is publicly performed or perhaps broadcast has to be licensed. For example a broadcaster including the BBC or SKY has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.

These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses is then gathered up and split up between all of the members of that particular PRO.

Most countries have their own PRO like PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have more than one.

See the FULL LIST of Performing Rights Organisations

Music libraries are typically also music publishers. The musical works of theirs are published via a PRO and any broadcast or public performance of that music will accrue performance royalties.

Leave a Reply

Your email address will not be published. Required fields are marked *