Production music refers to music that is owned by production music libraries.

Usually the music is composed especially for use in Film, TV, Radio, multimedia as well as Business.

Since these libraries generally own all of the rights in the music they can licence it directly without the requirement to gain permission from writers or even composers. It is able to thus be licensed right away with a definite price to the end user.

The benefit of a production music library is the fact that it is able to cater to a wide range of musical styles and themes with many libraries holding ten of a huge number of cuts and tracks.

Production music gives producers and directors a platform from which to choose audio that is perfect for their brief or project. Libraries frequently have tracks relevant to current musical genres, culture, charts and styles. Many libraries are going to hold music across the whole spectrum of music history as well as include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary collections or themes created for media or business applications.

The convenience factor means that anyone who needs production library music is able to choose from an enormous range of styles, access the audio from one spot and determine just how much it’ll cost. Most libraries have Rate Cards so producers can budget for the costs of a project in advance.

Their is additionally the peace of mind that a great many libraries will frequently have a piece of music suitable for things of course, if not will enable you to to find some. Most will in addition offer custom music production services.

History of Production Music

Typical music for production has been in existence since the days of silent cinema. In those days the audio was supplied in form that is written and sent over to small bands and orchestras who would perform the sound living in time with the film.

Since then a lot of production music companies have established audio and sound libraries. These include Boozy & Hawkes, Cavendish, Sonoton, Extreme Music, EMI, Sony BMG, KPM, Many others and de Wolfe.

Traditionally, music libraries sent out the music collections of theirs on CD. These days it’s more apt to be accessed via the internet, file downloading, hard drive or even CD’s, CD-Rom, DVD-Rom

Production Music Online

The Internet has enabled music for production to be distributed online via downloading. It has also given a platform for businesses that are new and libraries to set up independently.

There are actually many production music libraries online. The cost and quality is able to vary enormously as can the actual license terms or use of the music. However production music downloads today seem to be the preferred method for a lot of media professionals around the world.


Royalty Free Music

Royalty free music varies slightly to the attributes of production music.

Production music has often been licensed on a pay-per-use basis. 17VIP is you pay for every use of the music – In case you need to utilize music on a television show then you license the rights for that. In the event that you need to in addition use that music on an interactive CD-Rom then you would be required to license those rights.

Royalty free music on the flip side offers customers a way of getting a CD of the music that may then be used as many times as you like without any further payments or even fees.

However other issues and the Internet has meant that a great many royalty free music libraries now operate a lot more like traditional production music libraries and or vice versa.

This’s most likely caused by the growth of independent music libraries who can develop their very own finance and license models according to their own marketplace requirements.

Sync Fees and Dub Fees

A Production music company charges a fee for the licensing of their music. This is usually referred to a’ Synchronization Fee’ or’ Dub Fee’. This’s among the main income streams for music libraries.

Performing Rights Organisations

Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, publishers and artists.

Performance royalties are generated when music is broadcast on Radio or TV or even played in public places like restaurants as well as other business spaces.

Music that is publicly performed or even broadcast has to be licensed. For instance a broadcaster such as the SKY or BBC has to pay to broadcast music as do restaurants, users and shops of music on hold systems and others.

These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will then be gathered up and split up between all of the members of that particular PRO.

Most countries have their very own PRO like PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have a lot more than one.

See the FULL LIST of Performing Rights Organisations

Music libraries are typically also music publishers. The musical works of theirs are published via a PRO and any broadcast or public performance of that music will accrue performance royalties.

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